Harmonizing Senses: Exploring the Intersection of Visual and Sound Art in Environmental Expression

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Film Name:
Mediatation‧MeditationⅡ
Directed by

Joanna & rubens

Project Bio:

The production of sound is caused by the vibration of objects. All environments have their own unique sounds. Through listening and collecting unique environmental sounds and enhancing the feelings beyond the visual, the visual arts creators and the sound art creators mutually stir and use different things. The application of computer programs, together with sound, creates a unique space and imagination. Through concrete observation, abstract expression of the inner feelings of the environment, in fact, it is more like a process of figuration, using the similarity of “strings” and “lines” to try to represent the concrete landscape in our eyes, but this Concrete landscapes, combined with everyday experiences, produce internal emotional resonances that sculpt the organisms of the genus species through sound. In pursuit of spiritual transcendence in the chaos of civilization, we are small and living in the world, seeking spiritual detachment. Art is one of the ways. From the different contexts and cultural contexts, collage sound fragments, cross-border classical, contemporary, and future three-in-one resonate with each other to form, degenerate, and generate.

Director’s Bio:

20 years of relevant experience in Muisc,SFX,Game Design, 2D / 3D Animated Film, UI / UE, VR / AR, Interactive & Digital Media designers, 3D Modelling Design, Matte painting Design, Background Design, Rendering & Texturing Design, Lighting, Rendering Storyboard Design, Visual effects, Compositing, Music Design.Artist:Joanna.Rubens.Irene

1. First of all I would like to congratulate you for all your projects such as Meditation:MediatationII, Sinking2 and many more are getting a huge notice by the film personnels. Seems like you are inspiring them so the festivals are trying to reach out to you. How do you feel about that?

First of all, we would like to express our sincere gratitude for the support and encouragement from major film festivals around the world. Thank you for recognizing our works such as “Meditation: Meditation II” and “Sinking 2.” It’s both humbling and exhilarating to receive the approval of the festival organizers.

This validates that our creations have the power to move hearts and inspire other creators. We are committed to producing films that evoke emotions and provoke thought, and we find great fulfillment and thankfulness in this realization. We will continue to work diligently, aiming to share more compelling and meaningful stories with a broader audience.

2. What initially attracted you to the field of film production, and how did you get started in the industry?

Joanna: Initially, my background in classical music drew me to the field of film production. I was deeply captivated by the seamless integration of music and storytelling in movies. My passion for film music composition and conceptualization fueled my desire to contribute to the cinematic world.

Rubnes: Having graduated in Western Fine Arts, my interest in visual arts and storytelling led me to the realm of film production. I was fascinated by the power of visual narratives to evoke emotions and convey complex ideas. Pursuing a Ph.D. in film and technological arts solidified our commitment to this innovative and dynamic industry.

3. As we can see through your Experimental films these are meditational based music videos. What made you feel like creating such intriguing music videos?

Joanna: The idea of creating meditational-based music videos stems from our deep belief in the profound impact of audio-visual experiences on human emotions and perceptions. We believe that every environment possesses a unique sonic identity. By listening and capturing these distinctive environmental sounds, we enhance sensory perceptions beyond the visual realm.

Rubnes: Indeed, our creative process involves a symbiotic relationship between visual and sonic artistry. We aim to immerse our audience in a multisensory journey. Through the application of various computer programs and innovative techniques, we strive to construct distinct spaces and ignite imaginative realms where sound and visuals intertwine seamlessly.

4. How do you identify potential film projects for production?

Identifying potential film projects for production involves a multi-faceted approach. Firstly, we draw inspiration from our professional backgrounds and interests. Themes related to music, visual arts, and technology often serve as a starting point. These themes can encompass contemporary societal issues or experimental content that integrates a multisensory experience.

5. Have you ever thought of shifting into the Drama or Thriller genre? I am sure you will make good films.

We appreciate your suggestion and interest in our exploration of the Drama or Thriller genre. Indeed, delving into these genres presents an exciting prospect for us. Our unique approach involves infusing depth by exploring profound cultural and philosophical themes. We believe in crafting films that not only entertain but also provoke thought and discussion, making a meaningful impact on the audience.

6. What strategies do you use for marketing and distribution to ensure a film’s success?

Our primary approach centers around genuine exploration of cultural, philosophical, and humanistic themes to resonate with the audience. While we don’t employ specific strategies, the authenticity and depth of our films are our greatest assets. We believe in letting the content speak for itself, engaging in honest dialogues with our audience, and relying on word-of-mouth and organic growth to ensure a film’s success. This genuine connection with the audience often leads to a stronger and more loyal viewership.

7. Can you discuss any specific challenges you’ve encountered in your role as a filmmaker and how you’ve navigated them?

One of the most challenging aspects of our role as filmmakers is visualizing and effectively resonating cultural, philosophical, and humanistic themes. Integrating these themes into a cinematic experience that deeply connects with the audience can be complex. Achieving a consensus on how to merge visual and musical techniques to convey these ideas is paramount. To navigate these challenges, open and constant communication within our team is essential. We engage in thorough discussions, fostering an environment where everyone’s perspectives are valued. Experimentation and the willingness to try new approaches in visual storytelling and music integration are also key. Embracing innovation while staying true to the essence of the themes we aim to portray has helped us find effective solutions and produce impactful films.

8. How do you handle feedback and criticism during the filmmaking process?

Handling feedback and criticism during the filmmaking process, especially concerning both technical aspects and content-related themes, is crucial for our growth. We approach this with a blend of high-tech solutions and a genuine willingness to confront challenges.

On the technical front, we embrace high-tech tools and advancements to constantly improve and refine our work. We carefully listen to feedback regarding technical elements, whether it’s related to visual effects, sound design, or other technological aspects. We consider advancements in technology as opportunities to enhance our storytelling and elevate the audience’s experience.

Regarding content and themes, we maintain an open-minded and sincere attitude. Constructive criticism is seen as a pathway to refine the depth and resonance of our narratives. We carefully analyze the feedback, often engaging in thoughtful discussions to understand different perspectives. It’s essential for us to stay true to the essence of our narratives while refining them based on valuable insights, ultimately striving to create films that resonate profoundly with our audience.

9. What criteria do you consider when selecting film festivals or distribution platforms for your films?

When selecting film festivals or distribution platforms for our films, we prioritize certain criteria. Publicity, integrity, and transparency are of utmost importance to us. We look for platforms that offer a transparent and ethical process, ensuring fairness and equal opportunity for all filmmakers. Additionally, the reach and visibility a platform or festival can provide to our films are key considerations. We appreciate platforms like FilmFreeway for their role in our journey, as they have been instrumental in broadening our exposure and opportunities within the industry.

10. Can you share any upcoming projects or future aspirations as a director?

Certainly! As a director, we are excited about our upcoming projects that delve further into experimental themes, incorporating a strong focus on exploring these themes from a technological perspective. We aim to push the boundaries of storytelling by integrating innovative technological elements that enhance the audience’s engagement and understanding of the narrative. Our aspiration is to provoke deeper thought and discussions about the impact of technology on human experiences and society. We are eager to continue this artistic exploration, blending creativity with technology to create thought-provoking and impactful films.